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7 Reasons You Are Better Off Self-Publishing

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Book Staple
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Are you eager looking forward to get a publishing contract or happy you received one?  Finding a publisher who will consider your book idea and then getting your manuscript published is time-consuming and can often be a frustrating experience. Going with a big publisher is not easier than author-publishing.  You will be surprised to learn about the following facts, often the hard way:
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Your Book Has Only 3 Months to Fly Off the Shelves
If your book does not sell within the first three months of its bookstore life, it will be returned to the publishers ware house and disappears from bookstores and could end up at “A Buck a Book”.  Shocking: 90 to 95% of books don’t pay back their advance. Royalty will only be paid if the authors advance is paid back. What you get upfront as an advance is usually all you will ever get.
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Screw Up on Your First Book?  You Are Out!
If you do well with it, publishers will be eager to see your next title.  But if you don’t sell a lot of books, your agent or publisher will not want to read your manuscript when you will offer your second book.
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Traditional Publishing is Very Slow
Unless you wrote a political tell-all, your book is going to ”be in the making” for up to two years until it goes into the bookstores.  You need to be sure your topic is timeless and that you will be interested in publicizing it years from now.
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No Foreign Rights 
Unless you have a savvy agent (preferably speaking several languages) who is trying to sell your book abroad, there is little chance that your publisher actively tries to find buyers in foreign markets.
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Most Likely You Will Only Receive Your Advance
You can get as little as $5,000 or as much as $500,000, but either way, you will have to pay 15% of this amount to your agent, and the remainder will be paid in thirds or quarters over the next couple of years. So you first need to “earn out” the advance, before any royalties will be paid to you.
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Slowest Get-Rich-Quick Scheme
Breaking into big money publishing is like becoming a movie star – being talented definitely helps, but luck plays a big role and the odds might not be in your favor.
.

No Publicity for Your Book
Until a decade or two ago, publishers did some marketing for books.  Now, in the best case, they might send out some galleys and wait to see if anyone is interested. Then they focus all their publicity on the books they expect to be a bestseller.  If you want your book to be a success, YOU will have to do ALL the publicity yourself!
.

Books don’t sell themselves, as most writers sooner or later find out – often too late. If you are interested in making money or selling your book for a long time, better consider e-books and self-publishing. But in any way, marketing skills or at least the willingness to learn about marketing and PR to promote your book, are essential for an author.
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Self-publishing Seems to be Easy
– if you know what your are doing. Sure, anyone can become a small publisher.  YOU call the shots. YOU retain the rights to your book.  And YOU take home a much higher royalty than you would normally get from a traditional publisher – IF you sell any books… And that’s often the problem.
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Books are Not Sold Automatically
We get emails, often several per day, from writers who have just recently published a book, with the question “what we can do for them.” Well, in almost all cases we have to start with Adam and Eve. And explain to them how exactly (author-) publishing works.
Think and learn first how to publish professionally, so that readers see you as a “real” author.  And learn how to establish your platform and how to market your book – before writing it. You would never start building a house with the roof, before even building the foundation, the frame and walls. Why would you then do it in your new publishing profession?

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If you would like to get more support in all things publishing, have your book intensively promoted and learn how to navigate social media sites – or to learn how you can make yourself a name as an author through content writing: We offer all this and more for only $179 for three months – or less than $2 per day! Learn more about this customized Online Seminar / Consulting for writers: http://www.111Publishing.com/Seminars  Or visit http://www.e-book-pr.com/book-promo/
to advertise your new book, specials, your KDP Select Free Days or the new Kindle Countdown Deals.

Please check out all previous posts of this blog (there are more than 1,020 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Facebook, Tumblr and StumpleUpon.
Thanks a lot for following:

@111publishing
http://www.111publishing.com
http://www.e-Book-PR.com/
http://www.international-ebooks.com/
http://bit.ly/VmtVAS 111Publishing @ Google+

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77 Reasons Why Your Book Was Rejected

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77-Reasons-Why-Your-Book-Was-Rejected-Nappa-Mike-978140225412377 Reasons Why Your Book Was Rejected

Written by Mike Nappa, available as e-book and print book at Amazon. The author’s experiences as acquisitions editor, marketing copywriter, and literary agent uniquely qualify him to write on this topic. He is also the author of more than 40 books and received more than 2,000 book rejections during his writing career!
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The book is divided into three sections: Editorial, Marketing and Sales Reasons for Rejection.  Starting with: “It takes less than a minute to reject your book” (by big publishers that is) Mike Nappa goes on with all the legitimate and also the silliest reasons your manuscript or book idea might be rejected.

As an author you might be able to work on many, such as marketing and your platform and following, however some of the reasons have nothing to do with the quality of your writing. 

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An editor is going to look at your proposal – and if it doesn’t meet certain editorial standards, it will go no farther. If it passes basic editorial scrutiny, an editor will then consider whether you have done your “marketing” homework — analyzed and defined your audience, established a platform, shown that you know how and why this book will sell. From there, the editor will need to convince the publisher that they can sell this book, and sell enough to merit the investment in its publication.
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Perhaps the clearest message that emerges from this book is that getting published is a lot of work. The job doesn’t end when you finish writing the last chapter. Publishers are in the business of selling a product, and it’s your job to convince them that your book will sell.
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Or maybe you will decide to author publish. After all you have to do your book marketing anyway, even if your book is accepted by a commercial publisher. “Success is the best revenge”  .

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If you would like to get help in all things publishing, have your book heavily promoted and learn how to navigate social media sites: We offer all this and more for only a “token” of $1 / day for 3 months. Learn more about this individual book marketing help: http://www.111Publishing.com/seminar

Please feel free to check out all previous posts of this blog (there are 750 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Chime.in, Facebook, Tumblr and StumpleUpon.

Thanks a lot for following:

@111publishing

http://on.fb.me/TvqDaK
http://bit.ly/VmtVAS 111Publishing @ Google+

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.
Hyper Smash

Pingates

 

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What Publishers Won’t Tell You

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book-pile

Book Pile

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Eager looking forward to get a publishing contract or happy you received one? Finding a publisher who will consider your book idea and getting your manuscript published is time-consuming and can often be a frustrating experience.  Going with a big publisher is not easier than author-publishing. You will be surprised to learn about the following facts, sometimes the hard way:
.

Your book has three months to fly off the shelves.
If your book does not sell in the first three months of its bookstore life, it will be remaindered and disappears from bookstores and could end up at “A Buck a Book”.  90 to 95% of books don’t pay back their advance. Royalty will only be paid if the advance is paid back. What you get upfront as an advance is usually all you will ever get.
.

If you screw up on your first book, you’re out.
If you do well with it, publishers will be eager to see your next title. But if you don’t sell a lot of books, your agent or publisher will not want to read your manuscript when it comes time to offer your second book.
.

Traditional publishing is very slow.
Unless you wrote a political tell-all, your book is going to ”be in the making” for two years or longer until it goes into the bookstores. You need to be sure your topic is timeless and that you will be interested in publicizing it years from now.
.

Most likely your book will not be published in foreign countries.
Unless you have a savvy agent (preferably speaking several languages) who is trying to sell your book abroad, there is little chance that your publisher actively tries to find buyers in foreign markets.
.

Your advance will be the only money you will see.
You can get as little as $5,000 or as much as $500,000, but either way, you’ll pay 15% of this amount to your agent, and the remainder will be paid in thirds or quarters over the next couple of years. So you first need to “earn out” the advance, before any royalties will be paid to you.
.

Publishing is the slowest possible get-rich-quick scheme.
Breaking into big money publishing is like becoming a movie star – being talented definitely helps, but luck plays a big role and the odds might not be in your favor.
.

Sorry, no publicity.
Until a decade or two ago, publishers did some marketing for books. Now, in the best case, they might send out some galleys and wait to see if anyone is interested. Then they focus all their publicity on the books they expect to be a bestseller. If you want your book to be a success, YOU will have to do ALL the publicity yourself!
.

Books don’t sell themselves, as most writers sooner or later find out – often too late.  If you are interested in making money or selling your book for a long time, better consider e-books and self-publishing.  But in any way, marketing skills or at least the willingness to learn about marketing and PR to promote your book, are essential for an author. 

<><><><><>

If you would like to get help in all things publishing, have your book heavily promoted and learn how to navigate social media sites:  We offer all this and more for only a “token” of $1 / day for 3 months. Learn more about this individual book marketing help: http://www.111Publishing.com/seminar

Please feel free to check out all previous posts of this blog (there are 750 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Chime.in, Facebook, Tumblr and StumpleUpon.

Thanks a lot for following:

@111publishing

http://on.fb.me/TvqDaK
http://bit.ly/VmtVAS 111Publishing @ Google+

.

.
Hyper Smash

Pingates

 

Tags: , , , , ,

77 Reasons Why Your Book Was Rejected

77 Reasons77 Reasons Why Your Book Was Rejected
by Mike Nappa, available as e-book and paper book at Amazon.

The author’s experiences as acquisitions editor, marketing copywriter, and literary agent uniquely qualify  him to write on this topic. The book is divided into three sections: Editorial , Marketing  and Sales Reasons for Rejection.

An editor is going to look at your proposal – and if it doesn’t meet certain editorial standards, it will go no farther. If it passes basic editorial scrutiny, an editor will then consider whether you’ve done your “marketing” homework — analyzed and defined your audience, established a platform, shown that you know how and why this book will sell. From there, the editor will need to convince the publisher that they can sell this book, and sell enough to merit the investment in its publication.

Perhaps the clearest message that emerges from this book is that getting published is a lot of work. The job doesn’t end when you finish writing the last chapter. Publishers are in the business of selling a product, and it’s your job to convince them that your book will sell.

Or maybe you will decide to go it on your own. After all you have to do your book marketing anyway, even if your book is accepted by a commercial publisher.

 

 

Tags: , , , , , ,

 
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