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Why Books Need Editing and Proofreading

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Editing-Proofreading
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Recently I read a fantastic book, that really hooked me, wanting to read more from this author. It had not a single typo or grammar error. However, the protagonist, a young girl, was using an ipod, later in the story she was getting tickets to a concert that actually happened in the late 60’s and when she got missing, her mother gave the girls birth date as in 1948 to the police. This really great book lacked a good editor to point out these errors.

Before you hire an editor, you need to know what kind of help you’re looking for. Some editors work only on the structural and line level. Others also copy edit, or specialize in copy editing alone.

Editors Will Perform Services Such As:

  • suggesting cutting out characters
  • changing or omitting dialogue
  • changing the narrative arc of the novel
  • moving chapters around
  • give various other suggestions that will improve the book
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Developmental Edit
“Big-picture” feedback about structure, style, pacing and voice? A developmental edit for a work of nonfiction may include feedback about the book’s organizational structure, as well as both stylistic and informational strengths and weaknesses. For fiction manuscripts, developmental editing also includes notes on plot, point of view and characterization. Often, a developmental edit is given in the form of a detailed report or letter rather than as notes made directly on the manuscript.

Line Edit
In a line edit, your editor will point out specific things such as certain lines of dialogue that don’t sound convincing, or pacing problems in a given section.
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Copy Editing and Proofreading
These are about fixing errors in grammar, punctuation, spelling, word choice and sentence structure, as well as catching continuity issues.
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Hiring a freelance editor is a significant financial investment—one that can range from several hundred dollars to several thousand, depending upon the kinds of editing you require, the editor’s rate (which may be either an hourly rate or a flat fee, usually charged per page), and the number of revisions/rounds of editing.
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Before you Hire an Editor or Proofreader:
Avoid the temptation to hire someone to edit your first draft. Put it away for a while and then re-read, making notes on its strengths and weaknesses, asking yourself what’s missing, and flagging places where you find yourself skimming. Then rewrite the manuscript at least once, twice is even better. Don’t bring in a professional until you have made the book the best you possibly can on your own.
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Prepared for Feedback?
You need to prepare yourself for feedback, criticism and direction. Ideally, the feedback you receive won’t hurt your feelings. After all, your editor only wants to help you see your manuscript with new eyes by providing suggestions for how to capitalize on its strengths and address its weaknesses.
This kind of feedback can be hard to hear, so try to go into the process willing to consider changes. You might, for instance, agree with the editor about a problem in the manuscript, yet disagree with his suggestions about how to fix it. By talking this through with him, rather than just dismissing it, you can brainstorm a different solution.
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Revision Takes Time
After investing significant time writing a book, it’s easy to start feeling desperate to finally have it “done”—so much so that you risk shortchanging the editing process. But the truth is you cannot respond to a round of thorough developmental editing in a week. It’s a waste of time and money to hire someone to copy edit your book before you’ve addressed all developmental and line edits.
Consider paying to have your first chapter copy edited to serve as an example. Otherwise, hold off until the manuscript needs nothing but that final polish.
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What Do You Want?
Tell your editor what you want your book to accomplish. Do you want to publish this book or do you want to learn how to write better? Is it a once-in-a-lifetime project, such as a memoir? If want to write additional books, aim for an editor who will explain her rationale for the edits, so you can learn from the process and truly make the most of your investment in services.
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The Best it Can Be
It means making it something you feel truly represents what you wanted to do and say. Achieving this for you is important, your editor has to tell you things about your manuscript that your friends, relatives or even critique group members might be afraid to say.

The editors or proofreaders job is to partner with you on a journey to make your vision of your book working – with the way your prospective readers will see it.
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Proofreading
This should take place as the final stage before your work is ready for publication. All editing and all the rewrites should be done before proofreading. The only stages that come after proofreading are e-book formatting or book layout for print, and cover design.
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Proofreaders Correct Your Manuscript and Will:

  • Find spelling errors & typos,
  • Catch punctuation errors
  • They will correct grammatical errors
  • Dedect missing or duplicated words
  • Point out mis-applied or inconsistent tenses
  • Catch wrongly-assigned dependent clauses

Proofreader Julia answers Frequent Asked Questions in her blog:

“How about authors proofreading their own work?
If you’ve written a word that is spelled correctly, spell check will let it get through, even if you have written ‘alone’ when you meant to write ‘along’. Even prolific and very well educated writers don’t find these errors, no matter how often they have read their book …

My friend will proofread my novel for me, she has a degree in English, and it won’t cost me anything.
I would say, by all means ask a friend or two to look through your work for typos. They will probably spot quite a few. But your friend has a different mind-set to me; I don’t know you, I don’t know anything about your work, it’s all completely new to me. I don’t know what to expect – but I will find those pesky typos, it’s a whole different ball game when proofreading is your job!

Readers don’t mind a few typos, it’s the story that counts. They can see that I’m a good writer.
A few typos may look like a little matter – but they can cost you big business.”

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If you would like to get more support in all things publishing, have your book intensively promoted and learn how to navigate social media sites – or to learn how you can make yourself a name as an author through content writing: We offer all this and more for only $159 for three months! Learn more about this individual book marketing help: http://www.111Publishing.com/Seminars

Or visit http://www.e-book-pr.com/book-promo/ to advertise your new book, specials, your KDP Select Free Days or the new Kindle Countdown Deals.

Please check out all previous posts of this blog (there are more than 960 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Facebook, Tumblr and StumpleUpon.
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Posted by on December 23, 2013 in editing, proofreading, Writing

 

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How Much Does Self-Publishing Cost?

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What-are-the-costs-of-publishing?

How Much Does Publishing Cost?

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Launching a book is like starting a company. Putting together a quality book involves not just writing it, but also setting up a marketing strategy, and get editing, book formatting and cover-design for your book. See how much professional services will cost you to produce a high-quality book of about 65.000 to 80.000 words.

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SOCIAL MEDIA, MARKETING & PROMOTIONS
This is mentioned as the first step as marketing of your book and establishing an author platform can and should start before your book is even finished. You certainly can do some of the marketing yourself, for example your social media presence. Professional help should include an author interview, articles about you and your book, help with marketing campaigns, advertisements and most important of all: first establishing a book marketing plan and the author’s platform / brand. 111Publishing is offering all this for $159 for 3 months. Media publicists can get you radio spots and press articles/interviews for anywhere from $1,500 to $5,000 per month.

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EDITING
Once you’ve written your book, editing is important. Every writer needs at least some type of editor. She/he will evaluate and critique your manuscript, suggest and provide revisions, make sure that everything flows and is consistent, and shape it into a smooth, workable piece. If you write non-fiction consider also a fact-checker, to make sure there are no errors or broken links. 3-5 manuscript pages/hour for a manuscript page that’s approximately 250 words, will cost you, according to the Editorial Freelancers Association:
$45-65/hour based on the experience of the editor. Spell-check, get beta-readers or use inexpensive editing software to prepare your manuscript before you hand it over to an editor, who charges by the hour, in order to save editing time. However there are many professional editors, who charge you less and charge you by the page, sometimes even starting from $2/hour.

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COPY-EDITING
Once your manuscript is in good shape, the next thing you need to do is hire another editor called copy editor or line editor to go through and catch spelling mistakes and adjust for grammar, punctuation and consistency. Costs are approximately $20-50/hour.

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COVER DESIGN
Readers and even book reviewers judge how a book looks on Amazon, B&N or Kobo online sales pages or on bookstore shelves. For phone users, a thumbnail of the cover is probably the first thing a reader sees. It’s important that your cover design is optimized for print (TIFF) and digital (jpeg) thumbnail sizes, and how it looks on an e-reader or mobile device. Get lots of tips for cover design on Joel Friedlander’s website. If you are a professional photographer you might use your own images, or you might need to buy a license to use certain images. If you are lucky, you might find free images. Some e-book cover designers even sell pre-made cover designs for as low as $50.

But if you want to hire someone to make a custom cover design, you can expect to pay anywhere from $150 to $1,500. The higher end is for award-winning designers who have done very professional covers for big, traditional publishing houses.
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PRE-PUBLICATION REVIEWS
There are many resources for authors to get professional reviews. Sites like Kirkus, Blue Ink, and Publishers Weekly all sell review packages for indie or self-published authors. There’s also a great list of bloggers that you can reach out to for reviews for your book. 2012 review costs by Kirkus are $425, BlueInk Reviews $396, Publishers Weekly PW Select $149. More reviewers can be found in our former blog posts. You certainly can ask top authors in your genre if they would review your book and then use their comments/reviews as a blurb on your books cover.
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E-BOOK and PRINT FORMATTING
This is pre-publishing task that you should leave up to a professional, unless you are very tech-savvy, and learned html programming, as free programs, such as Sigil, Calibre or Pages don’t deliver always great conversions, especially if the text is not pre-formatted. If you’re looking to hire an expert, you can find print-on-demand conversions for as little as $150 or as much as $500 and over to convert your manuscript from Word or InDesign. Higher costs are if your book has a lot of pictures, is highly illustrated or if your original file is in PDF, which is more complex to convert.
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ISBN
An ISBN (International Standard Book Number) is necessary for a print book, upload it to Apple or you want to see it in libraries. A lot of third parties sell ISBNs, but if you don’t purchase your own ISBN you may not be listed as the publisher of your own work! Never buy it from someone else than the authorized seller in your country (Bowker for the USA).If you plan on selling your book in e-book format and don’t want to use Apple online retail, then you do have the option of skipping the ISBN, which will be $125 for one ISBN and $250 for ten ISBNs.
ONLINE RETAIL DISTRIBUTION
You can do this yourself by following the instructions to get your books distributed into the various retailers, which is easiest at Amazon, B&N and Kobo. There are service companies, among others:BookBaby, Autorems (for Apple only)  or eBookpartnershipThey all charge only a small yearly fee and your books’ revenue is 100% yours.

Never use a third party as they do take a percentage of each book sold – mostly between 10% and 15%, and if your book is successful you might loose quite a bit!
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PRINT DISTRIBUTION
A proud moment for every author: to discover their book in a bookstore or library. However, be aware that bookstores take high commissions 40-50%, and even have the right to return unsold books – unless they are printed in demand (which bookstores take only for pre-ordered books).

Many large US book distributors won’t take you on before you have at least five to ten books in print, and they charge a fee for their distribution, usually 20-30%. As an author-publishers with at least 3 books you might be better off with Lightning Source / Ingram and CreateSpace combined – also due to the print on demand possibilities that both companies offer.

Lightning Source connects you with the world’s largest distribution channel of book wholesalers and retailers. In addition to distributing books through their parent company Ingram Books, they print to order, which means, your book is printed and ready for shipment in 12 hours or less. With over 30,000 wholesalers, retailers and booksellers in over 100 countries your titles will gain the maximum exposure. They work with over 28,000 publishers of all sizes around the world. They deliver digital, print, wholesale and distribution services through a single source, and makes it easy for you to reach more customers in more places.
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GETTING YOUR BOOK PRINTED
For small amounts of print books an author is better off to have it POD, (printed on demand), done by CreateSpace or by Lightning Source, who are also the distributors. POD is produced only after receiving orders.The printing might be higher priced, but you can decide on discounts and there will not be any returns from book stores for unsold books, which can be costly. On the other hand, readers cannot find your book in stores, but have to order it there or order online. However, you save high upfront costs for printing.
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FAZIT:
You might also consider trading services with other authors, in order to get the help you need for your project and to save money. Or you could consider to raise funds through crowd funding, such as Kickstarter or Indogogo. As an author your can do some of pre-publishing, but spending money on quality editorial services will set your book apart from the majority of (self-) published books. It takes consistent, quality production over time. Don’t ever fall into the ‘overnight blockbuster’ mentality. Think of yourself as a writer who will never stop producing quality books.
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Self-publishing costs money. If you want readers to buy your book, you will need to make an investment in order to produce a quality product, above and beyond your beautiful writing. And don’t fall into the trap of the so-called “Publishing companies” or “Self-Publishing” providers, who offer you a bundle of services. Stay independent and carefully check out each pre-publishing provider, get in touch with their author customers to learn about their experience and compare editing, design and printing prices.

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Read also:

http://savvybookwriters.wordpress.com/2013/04/08/how-to-become-a-self-publisher-step-by-step-explained/
http://savvybookwriters.wordpress.com/2013/04/11/becoming-your-own-publisher-book-production/
http://savvybookwriters.wordpress.com/2013/04/12/how-to-organize-printing-or-print-on-demand/
http://savvybookwriters.wordpress.com/2013/04/13/distribution-of-your-print-book/
http://www.bookpromotion.com/how-much-does-it-cost-to-self-publish-a-book/
http://savvybookwriters.wordpress.com/2012/08/08/12-tips-for-your-crowdfunding-project/
http://reviews.cnet.com/8301-18438_7-10119891-82/self-publishing-a-book-25-things-you-need-to-know/
http://www.mint.com/blog/how-to/the-economics-of-self-publishing-an-e-book-part-1-0513/
http://www.mint.com/blog/how-to/the-economics-of-self-publishing-an-e-book-part-2-0613/

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If you would like to get help in all things publishing, have your book intensively promoted and learn how to navigate social media sites: We offer all this and more for only $ 159 for 3 months. Learn more about this individual book marketing help: http://www.111Publishing.com/ Once you are on this website, click on Seminar to register.

Please feel free to check out all previous posts of this blog (there are 820 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Chime.in, Facebook, Tumblr and to StumpleUpon.

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How Publishing works – Part 1

New self-publishers are often confused about how the editorial process works. They want to know what takes place at each stage of their book’s development. It seems that if you have a map, it’s easier to understand where you are on the road to getting your book into print. Let’s take a look at the stages through which your book moves.

Although you are anxious to see your book in print, you realize you will have to go through a process to make sure you’ve created the best product you can for your particular market and the goals you’ve set for your book.

Keep in mind that the entire editorial process may be long, extending from before the completion of the manuscript through proofreading of the final page proofs. Self-publishers need to understand the whole process so they can hire people with the specific expertise needed to complete their project. This schematic is intended to be a simple and helpful “map” to the journey of your book from manuscript to printed books.

Manuscript: Developmental Editing
Before you even finish your book, perhaps before it’s more than an outline, a sample and an idea, you may start the editorial process. The first kind of editing you will encounter is developmental editing. Developmental editing, as the name implies, helps develop the author’s concept, the scope of the book, the intended audience, even the way elements of the book are arranged. The relationship between author and developmental editor is intimate, and their work is something of a collaboration.

It can require a great deal of time, as the author responds to the editor’s suggestions, and may require a good deal of patience and tact, since the editor may be instrumental in helping to shape the final work. Developmental editing can be assigned to specific editors, or some of these functions may be done by either the author’s agent or an acquisitions editor at a publisher. Self-publishers who make use of this type of editing will hire freelance editors to help with the development of their project.

Manuscript: Copy Editing
When the author and developmental editor have finished organizing the manuscript, and the editor considers it complete and ready to take the next step, it will go to a Copyeditor. Copyediting is accomplished by editors who examine the manuscript line by line, word by word. It takes people who are meticulous, excellent at spotting errors, and who mostly don’t mind working without interference or accolades from the world outside.

Copyeditors have vast knowledge of English vocabulary and usage, command over style resources such as the Chicago Manual of Style or other style guides in use at the publishing house. In reviewing the manuscript, they will be paying attention to and correcting:

  • Punctuation, capitalization, spelling, and grammar
  • Errors in word usage
  • Subject-verb agreement
  • Consistency in treatment of material
  • Adherence to establish standards of style and formatting
    Ambiguity, incorrect statements, lapses in logic, libelous comments, etc.
  • Accuracy and completeness of citations, references, notes, tables, figures and charts

When the copyeditor has finished her work, the manuscript goes back to the author for clarification of any remaining open questions, and then the changes are input into the manuscript.

Manuscript to Book Page Proofs: Production Editor
The manuscript is next routed to a Production Editor who will be responsible for the entire production process:

  • Scheduling the project and tracking its progress
  • Hiring and coordinating the work of the book designers, illustrators, indexers, proofreaders
  • Getting estimates from printers or print brokers for the physical production of the book
  • Making sure the books are properly printed and delivered on time.

Proofreading
The last stage in the editorial process is proofreading the book. This step can be easily overlooked in self-published books, to their detriment. The proofreader is the last guardian of the publisher’s reputation for accuracy and care, the protector of the author’s reputation for diligence, and sometimes the least noticed professional to handle the book in its journey. Proofreaders examine the book’s complete and final pages for more than typographical errors, although that’s a big part of the proofreading job. In addition they will be on the lookout for:

  • Inconsistent line, word, or page spacing
  • Mis-numbered list items and mislabeled captions
  • Improper word breaks
  • Page break problems like widows and orphans
  • Irregularities in the use of the books type fonts
  • Accurate and consistent page headers, footers and page numbers
  • Accuracy and completeness of tables, figures, charts, and graphs
  • Consistent use of abbreviations and acronyms

The End of the Line
When the proofreader is finished with their work, the book is corrected for the last time. Once the pages are set, the final page proofs can be sent to an indexer, if one is being used on the project, and the book will be ready to go to press.

Re-blogged in part from Joel Friedlanders article in http://www.thebookdesigner.com a great resource for writers and self-publishers. He is a fantastic teacher of everything book design, typography and book marketing, just to name a few.

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This Is NOT Your Book – Or Is It?

Misspelling, formatting errors, grammar flaws – are self-publisher AND publishing houses not editing anymore? Joel Friedlander wrote a great blog about the the editing process.

What readers / customers say on the Kindle Forum about these issues:

Carol Hannon says:
I, too, have discovered numerous misspelled words, punctuation, hyphenation, special character errors, and missing text in many Kindle books. And I’m not talking the little self-published books, either — I’m talking professionally published books from the major book houses. I have no idea why this is happening, but I’ve left feedback on some books’ pages about the errors. There’s no excuse for it in this electronic age. What I hope is that when these errors are fixed, if they ever are, will Amazon automatically download the revised version since our purchase is on record?

jh says:
I’ve bought a couple of books that had particularly frequent and glaring errors, hinting at poor OCR* rather than human error. Things like “1” turning up in the middle of a word instead of “l” or “I”, which a human wouldn’t accidentally type.  But yes, plenty of poorly proof-read copy in titles that aren’t by big-name authors. Though you do see that in physical books too, especially early editions. Misspellings, funky punctuation, even the old “there/their/they’re” issue…
*OCR = optical character recognition, in case anyone’s not sure what that meant. Basically a computer scanning the page of a physical book/manuscript, recognizing the letters as best it can, and digitizing it.

Santo de Vaca says:
@Carol Hannon: I bought a book with some really terrible formatting issues. In the physical book the first letter of each chapter was elaborately drawn and this didn’t transfer well to the electronic version. They fixed it a few weeks after publication and I had the option of downloading a fixed version of the book, which I did. I’m not sure if this is the norm or not for corrections.

Granny Daisy says:
As an avid reader, I often find errors in print and kindle books. Even in established authors you find misspelled or miss used words, or incomplete sentences. I am beginning to think publishers are saving money by not paying proof readers.

J. Robertson says:
I have found spelling and grammar errors in many paper books as well. So I think its all about the proof reading being done.  I have downloaded several “free” books, unfortunately, they were not free of misspellings , missing words, and other errors. I just overlook them since they didn’t cost me anything. I haven’t had that problem with the books I’ve paid for. Guess the old saying is true, ” You get what you pay for”!

What do you think as an author?  Should a book be free of grammar and spelling errors, professionally edited and formatted? Well I guess it is a non-brain-er for every author who wants to be seen as a professional and who has already invested months or years into the manuscript.

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What is Involved in Self-Publishing?


 

 

 

 

 

 

 

 

 

 

“Have you ever noticed that a person who becomes successful tends to continue to be successful, and on the other hand, a person who is a failure, tends to continue to fail? It is because of goals. Some of us have them, some don’t.”  Earl Nightingale in “Strangest Secret”

Publishing a book is like opening a business. What is an entrepreneur supposed to do in order to start his business, become a successful owner and sell lots of … well, beautiful handbags or lamps for sample or get lots of orders to design gardens or build houses?  She or he would have to set up a business plan and do plenty of research in their particular industry. The same research you will have to do:

  • Industry Overview – the big picture of publishing
  • Competition – their platform, marketing of their books, sales
  • Suppliers – retailers, aggregators, their conditions, prices, reputation
  • PR & Marketing – budget, free PR, social media, contacts
  • Business – contracts, calculations, accounting, legal
  • Markets – audio books, newspaper articles, foreign rights
  • Publishing – e-books, paper books, formatting, cover design, editing, publishing news

Writing an ebook or a book for that matter, is not a Get -Rich-Quick exercise – even if some publications try to make you to believe this (“Write & Publish in 7 days”, “How I became Millionaire in three months”…). It takes at least several months until you have a following in social media or until search engines notice your webpage or blog and until you receive responses (and customers). This is the reason why it is so very important for you to start your marketing before you even start writing your book. Yes, that is right, pre-publishing promotion begins long before the book is ready and it is the key to your books success.

Unless you are solely writing for creative expression, as a hobby and not for sale or god-forbid, to make a living – your book has to pay its own way, contributing to greater opportunities and profits. If you’re not prepared to professionally self-publish, professionally promote and professionally market your book, then don’t go the self-publishing route!

Professional means hiring professionals: editors, graphic designers, book layout professionals and marketing staff – unless you are good in designing and marketing – but never do your own editing!

If you’re waiting until the book is finished to start marketing, you are already behind the curve. Finding, reaching and building your audience will take a lot of time. Don’t wait until you are sitting with a warehouse or garage full of books. Build the audience first and then deliver the product.

With self-publishing your success will double: Writing a great book & market it professionally.

 

 

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The Top 6 Tips to Successfully Publish and e-Publish

Compass

Beat the POD industry!
Are you ready to publish your first book? Follow these tips, and you will find the path to success much smoother!

Don’t wait to start marketing until your book is finished.
Many first-time publishers focus on the publishing process, and put off thinking about the marketing until they have books in hand (or in their garage). A book – no matter if it is an e-book or a traditional paper book – will succeed or fail on its marketing plan. Before starting your self-publishing project, find out who your audience is, and where and how you will find them. Move forward on a publishing project only after you have finished your marketing plan.

Bookstores don’t buy POD books.
Many novice publishers are opting for the heavily-advertised Print-On-Demand companies, which promise publication at low fees. For a niche book with an easily-found audience POD this can be an option. But what the POD companies won’t tell you,  is that neither bookstores nor libraries will generally buy a POD book. However, if you are savvy enough, you can find the right wholesale arrangement through Lightning Source / Ingram and Baker& Taylor as outlined in Aaron Shepard’s website and book http://www.newselfpublishing.com/. But don’t expect to get the same retail discount from “brick and mortar stores” as with Amazon.

You can judge a book by its cover.
That’s what most people do.  You never get a second chance for a great first impression!  You can get a decent cover for as little as $100 and a fantastic cover for around $ 500 or more.  Just shop around and find out who makes great covers.

Act like a professional publisher.
Nothing is more embarrassing as finding reviews of your book on Amazon that complain about typing and grammar errors in your work. Make sure your book is complete, well-edited, and thoroughly proofread. Use spell checks, let it copy-edit, content edit and proofread by professionals – not your family or friends.  These services provide you with a manuscript that makes you look like the professional you are.

Don’t use the print shop down the road.
Search for a printer that specializes in printing books. You will not only have fewer problems with production, but the prices will be much less expensive.  You should be able to print 300 copies of a 250-page soft cover book for approx. $ 2.50 per copy.

Get 100 ISBNs if possible.
ISBN is the acronym for International Standard Book Number, and every book sold in bookstores and at most online retailers must have an ISBN. They are the global standard for identifying titles and used world-wide as a unique identifier for books. They simplify distribution and purchase of books throughout the global supply chain. Without an ISBN, you will not be found in most book stores, nor online.  In the U.S. ISBNs are available only from Bowker.com, and you can buy them in blocks of ten, 100, or 1000. The fewer you buy the less it costs, but buying just a block of ten marks you as a one-book publisher. And everyone in the publishing industry can figure out how many ISBNs you’ve purchased by looking at your ISBN number.

Self-publishing can not only be lucrative, it can be a lot of fun too. But you need some careful planning to really enjoying true self-publishing.  A very helpful book when starting out the independent publishing route is “The Publishing Game: Publish a Book in 30 Days” (Kindle Edition) by Fern Reiss that gives you valuable technical tips during your publishing process.

 
 

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Publishing vs Self-Publishing or Authors vs Publishers

 

In an article on self-publishing, the publisher of Portfolio, Penguin’s business book imprint, as well as Sentinel, wrote:

“The greatest challenge facing a new writer is to find readers, not to finish and print a book. Self-publishing has made the shelves even more crowded, both, virtual and physical. The obstacles to being noticed are even more forbidding, not less. In a world where anyone can upload a Word doc and call it a book, it’s more valuable than ever to have experts curate the works that are really worthy of a reader’s attention.”

(BTW: This above article excerpt had an error that I corrected! So much for curate/editing…)

Success


Read which comments this article received:

 “Curate is an interesting term.  In my 20 years in traditional publishing I experienced very little ‘curating’.  I had books thrown into production with no editing.  I had publicity departments never return a phone call.  I also was a NY Times, WSJ, PW bestselling author, so I wasn’t some schmuck.  Yes, 99.5% of people self-publishing will fail.  But many people in traditional publishing will be looking for jobs soon because they just don’t get the digital revolution.  Agency pricing is a classic example of that. “

Laurel Saville:
Yeah, maybe, but these curators get it wrong all the time. Let’s remember how many famous authors, including Poe, Woolfe and Whitman, who self-published in order to get noticed by those same curators.  The curators told me I had a great book, the writing was “as good as it gets”, but they still wouldn’t pick it up.  If I hadn’t self-published, I never would have been noticed and then picked up by AmazonEncore myself.  Sometimes self-publishing is a means to a different end. In my case and many others, it was totally worth it.

T. More
Self-publishing is the direct line between author and reader, and most of the “gatekeepers” of traditional publishing don’t know good books. I would rather self-publish, sell books and reap most of the profits than give in to the model which has blocked literary classics from being published sooner, and caused other authors to commit suicide only to be published post mortem and hit the NY Times Bestseller list too late.

 

 

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