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Category Archives: Publishing Contracts

Less than Minimum Wage for Authors?

ebooksinternational:

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Are you thinking about approaching an agent or publisher for your next book? Do you know what clauses publishing contracts usually contain? How do you read a publishing contract? What your income will be – compared to author-publishing? This blog post and the following two will help you to “take the con out of the work con-tract”.

Wikipedia explains: “A publishing contract is a legal contract between a publisher and a writer or author, to publish written material by the writer or author. This may involve a single written work, or a series of works.” And as with every legal contract, authors are faring better when consulting a lawyer that is specialized in publishing contracts – BEFORE – they sign it.  

 

Originally posted on Savvy Writers & e-Books online:

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Justicia

Justicia

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Traditional Publishing Contracts – Part One of a Series

You might remember an article How Harlequin Publishing Deceives Their Authors from last summer in this blog, about the planned class action suit against the publisher. Today I stumbled about a sequel of J.A. Konrath’s blog: Harlekin Fail, Part 2, where he explains the contract practices of the trade publishers in general, and how they deceive their authors. From today on we will look more closely into these practices.
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When offered the opportunity to publish traditionally, about two-thirds of self-published authors are interested. The supposed prestige of a traditional publisher, the wide distribution a publisher can generate and help with marketing, are the reasons, cited in surveys.
However the perception of traditional publishing is often not up to date in public, as the way of book marketing (and the whole traditional publishing business) has totally…

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9 Tips Where & How to Query to Literary Agents

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Literary-Agents-NY
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A typical literary agency receives close to 5,000 unsolicited query letters/book proposals per year – or approx. 150 per working day. On average these agents accept only 10-12 new clients – only one out of every 500 submissions… Do you want to learn how to write a query, and how to approach the agent?
Do you want to get to know more about the person before hand – after all, she or he will be your partner for a long time?  My best advice: Read their blogs to get informed about the process and find out more about how they work and what they are like before you approach them. And have a “business plan” for your book ready: Who will be your readers, who is your competition and how will you market your book. You will be asked for this! Here are some examples of questions you might be asked.
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Rachelle Gardner Rachelle Gardner is an agent with Books and Such Literary Agency, representing both fiction and non-fiction. She offers query tips and book proposal advice.
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Nathan Bransford Nathan Bransford knows a lot about writing and publishing, and offers in his blog advice on: How to Find a Literary Agent, How to Write a Query Letter, The Basic Query Letter Formula, Examples of Good Queries, How to Format Your Query Letter …
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Agent Research Ask them about an agent and they will tell you if he or she has established a public record, and if we have had any negative reports on the agent’s business practices. This service is free.
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Agent Query Agent Query offers the largest and most current searchable database of literary agents on the web—a treasure trove of reputable, established literary agents seeking writers.
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BookEnds Agency BookEnds, LLC, is a literary agency focusing on fiction and nonfiction books for adult audiences. In their workshop Wednesdays everyone can post queries out there and will get comments open, also to anonymous posters.
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Nelson Newsletter Kristin Nelsons blog is a-must-read for every author about to send out a query. Subscribe to the Nelson Literary Agency newsletter.
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Query Shark Send your query in for critique. A wealth of resources and Janet Reid shares them all, she also dissects queries, posting lots of examples what writers are doing right – and wrong!
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Query Wednesday Gabriela Lessa, a Brazilian editor, writer, literary agent assistant and journalist helps you with your query. Have your query analyzed on QUERY WEDNESDAY.
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Call My Agent!
In which a literary agent in Sydney, Australia attempts to decode the world of publishing in order to assist writers. And sometimes to get things off her chest.

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Resources and More Blogs About Literary Agents:
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What Literary Agents Want to Know From You
http://savvybookwriters.wordpress.com/2012/04/01/what-literary-agents-want-to-know-from-you/
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How Agents work and How to work with Agents
http://savvybookwriters.wordpress.com/2011/04/12/how-agents-work-how-to-work-with-agents/ .
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Must-Read Blog to learn more about agents and how to approach them
http://www.writersdigest.com/editor-blogs/guide-to-literary-agents
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http://www.writersdigest.com/editor-blogs/guide-to-literary-agents
How to Write a Query Letter
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http://savvybookwriters.wordpress.com/2014/01/06/5-tips-for-successful-book-submissions/
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100’s of Links to Publishers and Agents
http://savvybookwriters.wordpress.com/2012/10/10/100s-of-links-to-publishers-and-agents/
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Which Literary Agent is Right for You?
http://savvybookwriters.wordpress.com/2012/03/07/which-literary-agent-is-right-for-you/
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Association of Author’s Representatives (lists agents)
http://aaronline.org/

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For more agent blogs go to the absolutewrite forum: 

http://absolutewrite.com/forums/showthread.php?t=37784
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When you check out the agent, you’ll want to contact “Writer Beware
Visit often and get the latest alerts from WRITER BEWARE:
http://www.sfwa.org/for-authors/writer-beware/alerts/
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If you would like to get more support in all things publishing, have your book intensively promoted and learn how to navigate social media sites – or to learn how you can make yourself a name as an author through content writing: We offer all this and more for only $179 for three months – or less than $2 per day! Learn more about this customized Online Seminar / Consulting for writers: http://www.111Publishing.com/Seminars  Or visit http://www.e-book-pr.com/book-promo/
to advertise your new book, specials, your KDP Select Free Days or the new Kindle Countdown Deals.

Please check out all previous posts of this blog (there are more than 1,030 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Facebook, Tumblr and StumpleUpon.
Thanks a lot for following:

@111publishing

http://www.111publishing.com

http://www.e-Book-PR.com/

http://www.international-ebooks.com/

http://bit.ly/VmtVAS 111Publishing @ Google+

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7 Reasons You Are Better Off Self-Publishing

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Book Staple
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Are you eager looking forward to get a publishing contract or happy you received one?  Finding a publisher who will consider your book idea and then getting your manuscript published is time-consuming and can often be a frustrating experience. Going with a big publisher is not easier than author-publishing.  You will be surprised to learn about the following facts, often the hard way:
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Your Book Has Only 3 Months to Fly Off the Shelves
If your book does not sell within the first three months of its bookstore life, it will be returned to the publishers ware house and disappears from bookstores and could end up at “A Buck a Book”.  Shocking: 90 to 95% of books don’t pay back their advance. Royalty will only be paid if the authors advance is paid back. What you get upfront as an advance is usually all you will ever get.
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Screw Up on Your First Book?  You Are Out!
If you do well with it, publishers will be eager to see your next title.  But if you don’t sell a lot of books, your agent or publisher will not want to read your manuscript when you will offer your second book.
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Traditional Publishing is Very Slow
Unless you wrote a political tell-all, your book is going to ”be in the making” for up to two years until it goes into the bookstores.  You need to be sure your topic is timeless and that you will be interested in publicizing it years from now.
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No Foreign Rights 
Unless you have a savvy agent (preferably speaking several languages) who is trying to sell your book abroad, there is little chance that your publisher actively tries to find buyers in foreign markets.
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Most Likely You Will Only Receive Your Advance
You can get as little as $5,000 or as much as $500,000, but either way, you will have to pay 15% of this amount to your agent, and the remainder will be paid in thirds or quarters over the next couple of years. So you first need to “earn out” the advance, before any royalties will be paid to you.
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Slowest Get-Rich-Quick Scheme
Breaking into big money publishing is like becoming a movie star – being talented definitely helps, but luck plays a big role and the odds might not be in your favor.
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No Publicity for Your Book
Until a decade or two ago, publishers did some marketing for books.  Now, in the best case, they might send out some galleys and wait to see if anyone is interested. Then they focus all their publicity on the books they expect to be a bestseller.  If you want your book to be a success, YOU will have to do ALL the publicity yourself!
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Books don’t sell themselves, as most writers sooner or later find out – often too late. If you are interested in making money or selling your book for a long time, better consider e-books and self-publishing. But in any way, marketing skills or at least the willingness to learn about marketing and PR to promote your book, are essential for an author.
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Self-publishing Seems to be Easy
– if you know what your are doing. Sure, anyone can become a small publisher.  YOU call the shots. YOU retain the rights to your book.  And YOU take home a much higher royalty than you would normally get from a traditional publisher – IF you sell any books… And that’s often the problem.
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Books are Not Sold Automatically
We get emails, often several per day, from writers who have just recently published a book, with the question “what we can do for them.” Well, in almost all cases we have to start with Adam and Eve. And explain to them how exactly (author-) publishing works.
Think and learn first how to publish professionally, so that readers see you as a “real” author.  And learn how to establish your platform and how to market your book – before writing it. You would never start building a house with the roof, before even building the foundation, the frame and walls. Why would you then do it in your new publishing profession?

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If you would like to get more support in all things publishing, have your book intensively promoted and learn how to navigate social media sites – or to learn how you can make yourself a name as an author through content writing: We offer all this and more for only $179 for three months – or less than $2 per day! Learn more about this customized Online Seminar / Consulting for writers: http://www.111Publishing.com/Seminars  Or visit http://www.e-book-pr.com/book-promo/
to advertise your new book, specials, your KDP Select Free Days or the new Kindle Countdown Deals.

Please check out all previous posts of this blog (there are more than 1,020 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Facebook, Tumblr and StumpleUpon.
Thanks a lot for following:

@111publishing

http://www.111publishing.com

http://www.e-Book-PR.com/

http://www.international-ebooks.com/

http://bit.ly/VmtVAS 111Publishing @ Google+

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Stop: Vanity Publishing aka Subsidy Publishers

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Stop-Vanity-Publisher
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99% of All Manuscripts Will Be Accepted
Within half an hour I was asked today about two different “Self-Publishing” companies who had the authors’ manuscripts accepted. Both writers had tried to find a trade publisher and after receiving numerous rejections, they were glad to get an “offer” – as long as the authors are willing to pay totally inflated prices for printing, editing and cover art. It took me only one minute, using the word “complaint” along with the companies name to find long lists of complaints on author websites, blog posts and “Writer Beware” on Google.
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Vanity publishers are often working under several names, change addresses and their websites. Some trade publishers, up to at least one of the “Big Five”, affiliated recently with subsidy publishers and also directs authors, who’s manuscript they had previously rejected, to these companies. The main goal of these vanity publishers is to have their printing company busy, so they are not really into executing the work of a traditional publisher. A background check reveals in almost all cases that they are either printers or affiliated with a printing company. Even one of the best Canadian book printing companies went into vanity publishing a year ago.
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You often might have seen these small ads in literary magazines or on the internet: “If your book deserves publication, send your manuscript now to …”. And authors do not have to wait long for a response to their submission.  A real publisher doesn’t need to advertise!  They are overwhelmed with queries from authors.

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Money Upfront
Authors are certainly surprised when they encounter a “publisher” who wants money up-front. It should be the other way around shouldn’t it? After the author, having signed a hefty check, eventually learns that paying for publication is no guarantee that a single copy of his book will appear in any book shop, not even the local ones.
Many vanity publishers will charge somewhere between $8,000 to $20,000 (or even more) to publish a book depending upon its length. Why would an author pay $20,000 when he or she can have the same book printed for $2,000?
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Contract Full of (Empty) Promises
Nevertheless, the contract will be full of promises, it will state what exactly will be paid to the author for subsequent reprinting, subsidiary, for audio and e-books, mass-market paperback rights, for TV & Radio rights, merchandising and commercial rights and even film and foreign rights – to make the author believing that his “publisher” actively solicits his manuscript in Hollywood.
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Free Copies
Vanity contracts include usually a certain amount of “free” copies for the author; sometimes even as much as 10 books and if he/ she require more, they have to be paid.  Which means, that the author is paying for them twice…  I also have never met an author who goes into the print shop to watch his or her books manufactured or to see them stored in the warehouse. In most cases, only a certain number of copies (I suspect not even this will happen) in an edition will actually be bound; the rest will remain in the warehouse as flat printed sheets until required, which is probably never.
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Reviewers are Wary of Vanity Presses
Vanity / subsidy publishers are not concerned with editing, promotion, sales or distribution – unless the author pays additionally. For most vanity books, neither exists, and should review copies really being sent out: Reviewers are wary of vanity presses because they know that little attention is paid to the editing of the book. Unless the vanity house has a proven distribution and sales organization, authors will have to sell their printed book themselves and usually it will sell fewer than 200 copies.
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As seen in a Vanity publisher contract:
“In the event of bankruptcy or liquidation of the publisher for any cause whatever, the author shall have the right to buy back the publications at fair market value to be determined by agreement or arbitration.” (That means, die author has to pay a second time for all his unsold books). “If the author does not purchase remaining copies of the book, the representative of the publisher shall have the right to sell same at the best obtainable price without payment of royalty to the author.”
Unbelievable! Unethical! Criminal!
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Beware of These Signs:

  • Don’t trust flattering letters concerning your manuscript.
  • Be suspicious of vague promises of quality production. You will not get it in writing…
  • Be wary of promises to sell television and film rights, serial books and other money-making options.
  • Read, read and read once more the contract.
  • Don’t pay a dime, get a copy of the contract and show it to a lawyer that is specialized in contract / copyright law.
  • Watch out for contract clauses, that allow the publisher to renegotiate his initial pitch, and also where the “Publisher shall have the right to license the rights set forth”.

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Bound to the Vanity Publisher for Life!
Beside their over-the-top printing prices, Vanity publishers might cheat you in a contract that expires only 50 years after your death and with worldwide rights, even universe rights – a contract that a friend of mine signed in Renfrew, Ontario, Canada (and paid dearly) stated:

“The author hereby grants the publisher, during the full term of copyright, the sole and exclusive right to manufacture, print, publish and sell and to otherwise use, as set out further in this agreement, including, but not limited to, acting as agent and/or exercising any or all subsidiary rights, throughout the universe the work.” And: “The copyright remains with the author, until fifty (50) years after the death of the author. All covenants and grants of the author shall bind the author’s successors or assigns.”
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Vanity Publishers / Subsidy Publishers are not actively promoting books. Their business is not publishing, but printing and selling authors all kind of over-priced services. Despite so many warnings all over the Internet, there are still writers who fall into the trap of vanity / subsidy / self-publishing. And as soon as one vanity publisher stops his “business”, another fills the gap.

Please read also a comparison of Publishers – Vanity Publishers – and REAL Self-Publishing here:
http://savvybookwriters.wordpress.com/2013/11/13/comparison-of-trade-publishing-vanity-author-publishing/

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If you would like to get more support in all things publishing, have your book intensively promoted and learn how to navigate social media sites – or to learn how you can make yourself a name as an author through content writing: We offer all this and more for only $159 for three months – or less than $2 per day! Learn more about this individual book marketing help: http://www.111Publishing.com/Seminars Or visit http://www.e-book-pr.com/book-promo/
to advertise your new book, specials, your KDP Select Free Days or the new Kindle Countdown Deals.

Please check out all previous posts of this blog (there are more than 980 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Facebook, Tumblr and StumpleUpon.
Thanks a lot for following:

@111publishing

http://www.111publishing.com

http://www.e-Book-PR.com/

http://www.international-ebooks.com/

http://bit.ly/VmtVAS 111Publishing @ Google+

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5 Tips for Successful Book Submissions

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Dictionary

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Don’t give agents or publishers a reason to reject your manuscript submission.  I could write a book and fill it with these dreadful “submissions” that came to my inbox/mailbox in the last years. On one site I feel pity for the sender, on the other hand I just can’t understand why they don’t make the effort to read submission guidelines on publishers websites, get it right and learn how to write submissions to publishers. Why do authors work many months or even years on a manuscript, and then don’t learn how to sell it? There are just a few basics to be familiar with:
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Genre / Category
Most publishers or agents are specialized in certain genres. It also gets harder for authors if they do cross-genres. However, sending a query for poetry to a publisher, who explicitly states on his website under submission guidelines, that they only accept non-fiction and how-to-guides, is a waste of your and their time and money to ask “if they take on poetry”.  Not researching what genres an agent or publisher is interested in, is not only impolite, but will for sure result in rejection.

Many resources such as PublishersGlobal, PublishingWeekly, Writer’s Market or AgentQuery.com will help you to find the right places / agents / publishers for your genre.  Another possibility is to perform a Google search for the words literary agent and your genre. Carefully study your selected agents’ website to find more information.
A word of caution: In former blogs we wrote that – as in many other publishing fields – there are a few “rotten apples”, meaning agents that are charging authors for reading their manuscripts or demand a fee for his or her “evaluation” of their manuscript.
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Follow Submission Guidelines
Not reading and acting accordingly to an agent’s or publishers individual submission guidelines will end your query letter immediately in the recycle bin. Find answers to questions like these in the agents’ guidelines:

  • Do they want a query letter only?
  • Do they want a query with the first pages of your manuscript?
  • Do they want a query and the first three chapters?
  • Do they accept queries via e-mail or via regular mail?
  • Read and follow their guidelines in detail!

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How to Write a Query Letter
First of all: find out the name of the agent or editor at the publishing house you will query. Never, ever, write “To whom it may concern”. It only shows your are not caring whoever will receive it. Maybe the intern … Don’t forget to add all of your contact information: address, e-mail address, and phone number.

The QueryShark advises:

  • “The opening paragraph is meant to make a pitch regarding your protagonist and your book in a way that the agent will fall in love with them.”
  • “The second paragraph provides the synopsis. Do not include every little detail, it is meant to summarize the essence of the obstacles in the story. Stick to the big picture.”
  • “The third paragraph is all about you. What relevant credentials, honors, and awards have you or your books achieved? In other words, why you and not another author should be published.”
  • “The closing paragraph should recognize the agent’s submission guidelines, why you felt they were a good fit for your novel, and an action to take…i.e. requesting the full manuscript.”

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Your Query
You will need a complete book proposal, three sample chapters and a cover letter (the query). A book proposal is made up of several components, such as an overview, competitive titles, marketing of your book, etc., and should be at least 10 pages long – a kind of business plan for your book. BTW: This is something that every writer should do for their work, no matter if they pitch an agent or publisher or if they intend to self-publish their book.

Most writers don’t know that they need only three chapters written, not the entire manuscript when pitching to an agent or publishing house. Once the offer is accepted, the rest of the manuscript has to follow within a certain time frame.
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Spelling and Grammar
When submitting a query letter to agents, ensure that all spelling and grammar issues are resolved. Typos or even shortcuts are a turnoff. Do hire a professional to read your letter!
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Following these tips will help you in landing an agent. Read about all the famous authors who were rejected, but, it was their persistence that paid off in the long run.  Get lots of tips from literary agents here.  Consider not only to submit your manuscript to publishing houses, but to author-publish it, in order to earn more and if successfully, agents and publishers will approach YOU!

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If you would like to get more support in all things publishing, have your book intensively promoted and learn how to navigate social media sites – or to learn how you can make yourself a name as an author through content writing: We offer all this and more for only $159 for three months! Learn more about this individual book marketing help: http://www.111Publishing.com/Seminars
Or visit http://www.e-book-pr.com/book-promo/
to advertise your new book, specials, your KDP Select Free Days or the new Kindle Countdown Deals.

Please check out all previous posts of this blog (there are more than 970 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Facebook, Tumblr and StumpleUpon.
Thanks a lot for following:

@111publishing

http://www.111publishing.com

http://www.e-Book-PR.com/

http://www.international-ebooks.com/

http://bit.ly/VmtVAS 111Publishing @ Google+

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Comparison of Trade Publishing – Vanity – Author Publishing

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Comparison

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Every writer, no matter if they author-publish (self-publish) or if they have sold their manuscript to a publisher, has to do their own marketing. But how can you promote your book, if you are at the mercy of a publisher – trade or vanity?  What if you don’t own the ISBN and if you have no access to the retailers’ publishing / author pages, such as Amazon, B&N or Apple?  We had clients whos publishers were not able to properly set up the Amazon page, did not choose the proper category, took weeks to make changes to a wrong price and months to add the images and text the author had provided for their Goodreads or Amazon page.
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This is a huge problem (among many others) that authors face after they have given away their work for a pittance – or worse, have paid thousands of dollars to a vanity publisher. So, what’s the difference between both, beside the fact that they make it difficult for their authors to market their books?
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TRADITIONAL PUBLISHERS

  • Author needs to have a platform
  • Trade publishers accept very few submissions (average: 4%)
  • Authors might have to pitch dozens or hundreds of puplishers / agents
  • Authors receive a small advance and even smaller royalties
  • They do not use POD (single or few books), rather print large quantities
  • Authors have barely any say to cover image, publishing date etc.
  • Authors cannot decide the sales price, e-book prices are often un-competitive
  • It takes very long until the book is published (12-18 months average)
  • Publisher pays for printing, editing services and cover image
  • Distribution services are covered by the publisher
  • Professional marketing services available – but only for celebrity writers
  • They own the ISBN for the book

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VANITY PUBLISHERS

  • Author needs to have a platform
  • Accepts almost ALL submissions
  • Author never receives any advance in this “partnership
  • Author contracts are often worse than those of trade publishers
  • Author pays for printing or ebook-formatting, editing services, cover image
  • Authors have barely any say to cover image, publishing date etc.
  • Authors cannot decide the sales price
  • Mostly Quick turnaround and Print on Demand (POD)
  • Barely any distribution services, compared to commercial publishers
  • Vanity publishers don’t live from book sales, they live from printing/author services
  • No professional marketing services
  • Very few royalties – if any at all
  • They own the ISBN for the book
  • Your book has only 3 months time in bookstores to sell – before being discarded!
  • Bookstores generally are wary of vanity books (except maybe local writers)

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AUTHOR-PUBLISHING

  • Authors needs to have a platform in order to build a brand
  • Needs to learn about the publishing / book distribution industry
  • Needs to plan the publishing / marketing process
  • Authors have to find / compare author services (POD, distribution, formatter, designer)
  • Authors pays for printing or ebook-formatting, editing services, cover image
  • Authors can decide everything: cover image, publishing date, retail price etc.
  • Authors can do their own or hire marketing services
  • Authors get up to 70% from the books retail price (or 100% if sold from own website)
  • Authors own their ISBN – which is FREE in Canada! and low-cost in other countrie
  • Bookstores generally are wary of author-published books (except maybe local writers)

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Conclusion:
If an author has all these challenges, waiting times (or costs to cover, in the worst scenario) – and cannot even do the necessary marketing without huge problems, what is the point in having or even paying a publisher?  Why not author-publish / self-publish in the first place, and be totally independent when it comes to your marketing?
Whatever you will decide, take your time, don’t rush in anything and don’t let you sell any services, before you have thoroughly evaluated them. It does not matter if your book launches a month or a year later – important is that you have a platform as a writer and that you find a way of publishing that suits you and that gives you the freedom of your own decisions. If you decide to go with a publisher, don’t forget: Real publishers sell to readers – vanity publishers sell to writers!

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If you would like to get help in all things publishing, have your book intensively promoted and learn how to navigate social media sites:  We offer all this and more for only $ 179 for 3 months. Learn more about this individual book marketing help: http://www.111Publishing.com/Seminars
Or visit http://www.international-ebooks.com/book-promo to advertise your new book, specials or KDP Select Free Days.

Please check out all previous posts of this blog (there are more than 900 of them : ) if you haven’t already. Why not sign up to receive them regularly by email? Just click on “Follow” in the upper line on each page – and then on “LIKE” next to it. There is also the “SHARE” button underneath each article where you can submit the article to Pinterest, Google+, Twitter, Facebook, Tumblr and StumpleUpon.

Thanks a lot for following:

@111publishing

http://on.fb.me/TvqDaK

http://bit.ly/VmtVAS 111Publishing @ Google+

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Top Languages and Top Social Media Networks

Top Languages on the Internet
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OK, you transferred your book into print, digital and into an audio book.  Now, how else can you leverage your hard work?  Let it translate into other languages, or sell foreign rights of your book. Sell your rights separately and if you still own all the rights for your book, also consider to split it apart, in order to sell it in single articles, especially if it is a non-fiction book. 

The reason to show you this info graphic is to point out the possibilities for writers to either translate (let translate) their work into foreign languages, such as Mandarin, Spanish, Portuguese, German etc.  – or to sell the foreign rights to their books.
The info graphic lists the top languages on the Internet, countries highlighted are chosen due to the official status of a listed language in the country. Also included are tables on internet penetration by language and world population of language.  Another consideration is which Social Networks to use to market your books worldwide.  Let the person who translated your book also translate short articles for Google+, Facebook, Pinterest  and Twitter.  This enables you to get the attention of potential readers for your translated book.
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Top Social Media Networks / Languages
Jeff Bullas, Social Media & Blogging Guru wrote: “Twitter with its short and snappy messaging is very dependent on mobile usage and smart phones. The rise of the visual web is making Pinterest and Tumblr the fastest growing social networks on the planet. Facebook is where we share with friends and family. Google+  is embedded in Google’s web assets including Gmail, local check-ins and the mobile Android ecosystems. Google is getting the data it wants from Google+. Demographics, usage and content popularity. Meaning into it’s RANKING of SEARCH RESULTS and much more.”Here are the latest social media facts and statistics provided by the latest study by GlobalWebIndex for the second quarter of 2013. It shows clearly:

  • Google+ is catching up to Facebook
  • Google+ dominates on monthly visits
  • Active usage is highest on FB, then Google+ and Twitter
  • Pinterest is the fastest growing social network
  • LinkedIn is the most popular for older users

Don’t forget that on Google+ you can show cover images of your book as often as you want – contrary to other Social Media where it is only possible once a day!
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Matterhorn-Switzerland.

Foreign Right Sales
It is not that easy to sell your foreign rights without an agent or a publisher, but it’s not impossible. Women’s fiction author Kay Raymer did the whole agent query routine in 2000, but nobody would look at her novel, Hannah Street. So she sent the manuscript to her attorney, who happened to know someone at Bertelsmann / Germany. Bertelsmann made an offer on the book, and her lawyer helped arrange the contract. As a result, Raymer’s first novel appeared in Germany in 2001, a paperback original called Das Rosenhaus.
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Choose your foreign rights agent carefully!
Most agents charge 20% (or sometimes even 25%) on foreign sales (including British and translations). This 20% rate is justified because normally two agents are involved (the second one being in the foreign country), and they end up splitting the commission. If you are not represented already, why not try to find agents or even publishers yourself in other countries, especially if you speak more than one language? I just found a blog post from a successful writer, who did just that: searched the internet, found contact addresses of agents in other countries and contacted them. He wrote. Read more here.  and here.  How you can sell your rights or split your book in single articles can be found in this blog post: http://savvybookwriters.wordpress.com/2012/04/02/why-you-should-split-your-book-apart/

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If you would like to get help in all things publishing, have your book intensively promoted and learn how to navigate social media sites: We offer all this and more for only $ 159 for 3 months. Learn more about this individual book marketing help: http://www.111Publishing.com/Seminars
Or visit http://www.e-Book-PR.com/book-promo to advertise your new book, specials or KDP Select Free Days.

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