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Monthly Archives: February 2012

Writers Residencies: Oregon and Australia


Katharine Susannah Prichard Residency – Location AUSTRALIA

The residency program includes positions for established and emerging writers as well as our young writers’ residency. As well as allowing each writer the time and space to work on their own writing projects, the writers participate in the events of the centre and run workshops thus sharing their knowledge and experience throughout our writing community.

Applications for 2012 Young Writer-In-Residence must be post marked on or before 5pm, Friday, August 17, 2012. Three positions are available for the week of Sun 18 Nov – Tue 27 Nov 2012.

Applications for 2013 Established Writer-in-Residence must be postmarked on or before, Friday, July 27, 2012 (pending funding).  One position. Full-time period of four (4) weeks, or equivalent part-time. Salary: $3,500.

Applications for 2012 Emerging Writer-in-Residence must be post-marked on or before Friday, August 24, 2012 (pending funding).  Three positions. Full-time period of four (4) weeks, or equivalent part-time.
Salary: $2,250.

http://www.kspf.iinet.net.au/writer_res_info.html

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SITKA Center

The Sitka Center’s Residency Program has provided more than 170 visual artists, writers, musicians, and natural science scholars the opportunity to conduct their work while deeply engaging with the inspirational coastal environment of Cascade Head. Up to four residents at a time, usually from different disciplines and stages in their careers, live and work on campus for one to four months free of charge.
Deadline April 20, 2012. Location Otis, OR.
http://www.sitkacenter.org/

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compiled by FundsforWriters

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Freelance Writing for Children’s Magazines


ASK MAGAZINE
ASK is a nonfiction magazine for children 6-9 years old who are curious about science and the world they live in. Each edition of ASK is built around a central theme on some question or concept in the natural, physical, or social sciences, technology, mathematics, history, or the arts. Feature articles are usually 1200-1600 words, with sidebars. ASK also occasionally commissions photo essays (400-600 words), humor pieces (200-400 words), short profiles of people, inventions, events, or the arts (200-400 words), and theme-appropriate experiments. Pays up to 45 cents/word.
http://www.cricketmag.com/19-Submission-Guidelines-for-ASK-magazine-for-children-ages-6-9

BLAZE MAGAZINE
Blaze magazine is full of fun facts, cool games and crafts, and fascinating articles on horses, horse kids and the natural world they share. Promoting literacy of course, it’s great for learning about not only horses, but also about nature, history, creative arts, character traits and much more. Geared for kids aged 8 to 14, the magazine is published quarterly. And what’s more, Blaze is also a real-life horse. She’s a flash Rocky Mountain and the official mascot of the magazine. Subscribers call her their own! Pays 25 cents/word.
http://blazekids.com/about-2/

CHICKADEE
ChickaDEE is a fun, hands-on magazine for 6- to 9-year-old kids whose thirst for knowledge and appetite for humour are insatiable. Interactive stories, puzzles, comics, animal features, and science experiments educate and entertain readers. Each issue is based on a different theme, such as “Space” or “Ancient Greece”. Difficultto break into, but pays up to $250 for fiction of 650-700 words.
http://owlkids.com/general/contact.html

compiled by FundsforWriters.com

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Ebook Sales Up 117%

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Gary McLaren wrote in http://www.publishyourownebooks.com

“The Association of American Publishers (AAP) is reporting today that e-book sales grew by an estimated 117.3% for the year of 2011. For the US publishing companies who report revenue to AAP, e-books (excluding the religious category which is tracked separately) generated revenue of $969.9 million during 2011 compared to $446.3 million in 2010.

2011 was not such a good year for print books however. Adult trade hardcover ($1,293.2m) and paperback ($1,165.6m) fell 17.5% and 15.6% respectively.

E-books have now grown by more than 100% for three consecutive years.

Keep in mind that this data relates to the US market and only reflects those publishers who report sales data to Association of American Publishers. The e-book market is considerably larger than that when all of the smaller and independent publishers are taken into account, and especially if all countries were included in one report.

With such exponential growth it is difficult in the graph above to see the values of e-book sales in the earlier years of 2002 through 2005. Another chart shows e-book revenue growth as reported to AAP for the past 10 years.”

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Why Is My Book Not Selling?

Not satisfied with your book sales numbers? Want to get a totally honest comment on your writing, the blurb and cover of your book?  Three reviewers will help you on your journey to possible bestseller-dom.

However you might hear things about your book that you don’t like. It is up to you to take their advice or not.. If your book isn’t selling so well, you can submit it here for a critique. Please only submit one of your books.

Book Submission
The two other reviewers (they post your books on their website on “free” days) are Sabrina Sumsion and Victorine Lieske.

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Writing Boot Camp in New York

Photo Bobby Mikul

Photo Bobby Mikul

Trying to break into the magazine market? Need help making a query sing? Want to know how to get your nonfiction book published?  The 41st Annual ASJA Writers Conference, with more than 80 workshops and panels, will break down industry barriers and bring a successful freelance career within your reach.

This “Writing Boot Camp” can help you uncover new income streams and ways to boost your bottom line. Learn how to market yourself to editors and agents. Gain access to professional, seasoned writers through numerous networking opportunities. See the latest information on publishing technology.  Meet experts on topics ranging from social networking business strategies to writing craft, technology, breaking into new markets and more.

Learn the “how-to” with information focused on your needs that you can use immediately to help you rise to the top of the freelance writing field. Bestselling author, columnist and blogger Gretchen Rubin shares her personal recipe for success and happiness. Can you be a successful author and also love every word you write? Is there a way to balance promoting your brand while still finding time for your craft? How can aspiring authors navigate the new realities of publishing without losing their minds in the process?

http://www.asja.org/wc/
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Upcoming Writings Contests: Essay, Short Story, Fiction & Poetry

ForsythiaTwig
Contests are a great way to get your name out and upon receiving a prize to add this to your books blurbs. However, always contact the organization (in writing) to find out about the rights you would give away when submitting in case they don’t describe it in their submission guidelines.


Short Grain Writing Contest

Deadline April 1, 2012.
Three prizes will be awarded in each category:
1st Prize: $1,000
2nd Prize: $750
3rd Prize: $500

Poetry: (to a max of 100 lines) Poetry of any style including Prose Poem up to 100 lines.
Fiction: (to a max of 2,500 words) Short fiction in any form including Post Card Story, to a maximum of 2,500 words. The basic fee for Canadian entrants is $35 for a maximum of two entries in one category. The fee for US and International entrants is $40, payable in US funds.
http://www.grainmagazine.ca/contest.html



Tiferet Annual Writing Contest

Deadline June 1, 2012.
$400 for the best poetry submission
$400 for the best short story
$400 for the best essay or interview

We look for high-quality creative work that expresses spiritual experiences and/or promotes tolerance. Our mission is to help raise individual and global consciousness, and we publish writing from a variety of religious and spiritual traditions. One poem per page. Limit 20 pages for prose. $20 Entry fee
http://tiferet.submishmash.com/submit

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Do You Know Your Rights As An Author?

As an author you own the copyright, and you own all the rights to your work. You can sell – or give away these rights or use  in several ways:

First Serial Rights
They can be print or electronic and mean you are selling a publisher the right to publish your article once for the first time. In the case of print rights you are free to immediately sell the piece to an e-magazine or e-zine before print publication and, after the print magazine containing your article hits the newsstand, you are free to sell it again as a reprint to other print markets.

First Serial Rights Electronic
However, first serial electronic rights are different – for sample e-magazines or e-zines buy first rights for an exclusive time period, usually one year (often for the laughable amount of $5 or $10), and at the same time, ask for non-exclusive rights after that. While you can immediately sell the same piece to a print market as a “first print right,” you cannot even post the article on your own website until the year is up. After that you are free to sell the article to other electronic markets as a reprint and post it yourself online everywhere you want.

North American first serial rights
Most Canadian and US freelance authors sell North American first serial rights, reserving the right to sell in other world markets (e.g. Great Britain, Australia, Asia). Specify what type of rights you are selling: First North American Electronic Rights Only.

Second Serial Rights
These are reprint rights and apply to print and electronic markets. Never sell reprint rights, keep them at all costs. Even you will earn less money for each reprint, you can sell your work over and over again.

Subsidiary Rights
Other rights that authors and freelancers hold are subsidiary rights, including, but not limited to movie rights, dramatic, TV and radio rights, audio and other media rights.
However, don’t give up or sell your electronic rights to a traditional book publisher without receiving a large lump sum or at least 50% royalty from the retail price. Most publishing houses are not really experts in e-publishing and often don’t use the electronic rights to your book. But it would prevent you from e-publishing your own work or selling it to a high-royalty-paying e-publisher.

All Rights
In this case the author gives up all future income from the article or book and only retains the copyright. Giving up all your rights should be only considered if a tremendous sum is paid for.

Copyright Protection in the USA and Canada
Copyright protection in Canada is automatic upon the creation of a given work, regardless of the medium of its creation, and it lasts until fifty years after the creator’s death – in the USA seventy years.

Before You Sign Any Contracts:
Always first contact your national authors’ or writers’ associations for further information and get legal advice from a lawyer who is specialized in copyright. This can save you ten thousands of dollars.

Sources:

http://www.sfwa.org/for-authors/writer-beware/
http://www.writing-world.com/links/rights.html
http://www.copyright.gov/help/faq/
http://publications.gc.ca/site/eng/ccl/aboutCopyright.html
http://www.cipo.gc.ca
http://www.writersunion.ca

 

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